Mamma Mia - Meryl Streep & Amanda Seyfried

Where are those happy days, they seem so hard to find I tried to reach for you, but you have closed your mind Whatever happened to our love? I wish I understood It used to be so nice, it used to be so good So when you're near me, darling can't you hear me? S. O. S. The love you gave me, nothing else can save me S. O. S. When you're gone How can I even try to go on? When you're gone Though I try how can I carry on? You seem so far away, though you are standing near You made me feel alive, but something died I fear I really tried to make it out I wish I understood What happened to our love, it used to be so good So when you're near me, darling can't you hear me? S. O. S. The love you gave me, nothing else can save me S. O. S. When you're gone How can I even try to go on? When you're gone Though I try how can I carry on? So when you're near me, darling can't you hear me? S. O. S. (S.O.S.) And the love you gave me, nothing else can save me S. O. S. When you're gone How can I even try to go on? When you're gone (when you're gone) Though I try, how can I carry on? (How can I carry on?) When you're gone How can I even try to go on? When you're gone (when you're gone) Though I try, how can I carry on? (How can I carry on)

It's the last midnight It's the last wish It's the last midnight Soon it will be boom, squish Told a little lie Stole a little gold Broke a little vow Did you? Had to get your prince? Had to get your cow? Had to get your wish? Doesn't matter how Anyway, it doesn't matter now It's the last midnight It's the boom, splat Nothing but a vast midnight Everybody smashed flat Nothing we can do Not exactly true We can always give her the boy No, of course what really matters is the blame Someone you can blame Fine, if that's the thing you enjoy Placing the blame If that's the aim Give me the blame Just give me the boy No, no No? You're so nice You're not good, you're not bad You're just nice I'm not good, I'm not nice I'm just right I'm the witch You're the world I'm the hitch, I'm what no one believes I'm the witch You're all liars and thieves like his father Like his son will be too, oh, why bother? You just do what you do It's the last midnight So, goodbye all Coming at you fast, midnight Soon you'll see the sky fall Here, you want a bean? Have another bean Beans were made for making you rich Plant them and they soar Here, you want some more? Listen to the roar Giants by the score Oh well, you can blame another witch It's the last midnight It's the last verse Now, before it's past midnight I'm leaving you my last curse I'm leaving you alone You can tend the garden, it's yours Separate and alone Everybody down on all fours All right, mother, when? Lost the beans again Punish me the way you did then Give me claws and a hunch Just away from this bunch And the gloom And the doom And the boom Crunch

It's Frank DiLella with New York One's onstage We are here for the opening night of Eleanor!: The Eleanor Roosevelt musical Let's talk process When I'm in character I go insane I stagger, I stammer, I sob I make the audiences feel my pain And if they don't leave depressed Then I've not done my job Each time I find a role like Eleanor The artist inside of me thrives I put on that wig and those prosthetic teeth And know I'm changing lives By the time I get tuberculosis in act two Even the people who are dead inside Will shout "Bravo" on cue (bravo) The first review is in New Jersey Star Ledger Don't tell me Unless it's a rave or a mix positive It says we're hit, my God! We're a hit and I think we deserve it That's for sure Also it means that this tour de force Will not be forced to tour To Eleanor! May she run for eternity (To Eleanor!) Cheers to a show that's so inspiring It's almost too much to sit through And if we've won that might mean one more thing That in ten years or so, we'll do Eleanor 2 (wow) I can predict what the reviews will say Before the next note has arrived It's ground-breaking (Earth-shaking) Life-affirming (breath-taking) Gut-wrenching (heart-aching) In two words it's history-making That's why every actor strives For adulation and compensation That comes from nightly Changing Lives It's just what we do